Bruce, to get nice lighting, I do not use a flash. Instead I use available lighting. However, daylight tends to be a little too blue and tungsten bulbs tend to be a little to warm or yellow. For the '86 shot, I laid it on the pool table, directly under some tungsten bulbs, but near a window. I then orient the gun so that I do not get reflection off it. For outdoor shots, I prefer overcast days and warm up the digital settings, or I shoot under the shade of a tree and arrange my body so that it blocks most of the reflection. Basically, I mess around with available light until I get a shot with a minimum of reflection.
Here's a couple of revolver examples:
In this first one, it was sunny, but I leaned over the revolver to put it in the shade and block out the blue sky directly over head. The shot is of an original S&W Schofield made in 1876
This shot below was made on the pool table again, but with daylight coming through the window. The revolver is an original S&W 2nd Model American made in 1873:
The next two are of the same sixgun taken under just tungsten light, but with two different settings of 'warmness' on the digital camera.
Here's a couple of revolver examples:
In this first one, it was sunny, but I leaned over the revolver to put it in the shade and block out the blue sky directly over head. The shot is of an original S&W Schofield made in 1876
This shot below was made on the pool table again, but with daylight coming through the window. The revolver is an original S&W 2nd Model American made in 1873:
The next two are of the same sixgun taken under just tungsten light, but with two different settings of 'warmness' on the digital camera.
Last edited:




















































