Hey, Straightshooter, I welcome distractions, questions, disagreements, and even the occasional troll, if it means input to keep things interesting to CGN readers (they can’t all be dropping in by mistake). Otherwise, I risk meandering on my merry way, going this way and that on the keyboard, as I explore what makes British guns interesting to me, and hopefully others. I just don’t want to outlast my welcome in a subforum not devoted to older guns.
Firstly, though, I should finish up my thoughts on the overlap between military production and sporting guns, or rather, the reason it was so rare with British sporting gun makers. I put it down to a difference in ethos. I admit, military production and building game guns are both commercial activities, motivated by currency. No one was in it for higher principles, or art. Just like William Shakespeare was motivated to write his works for the money and putting food on the table, not to create future university course material. Military production was aimed at producing the best gun for the absolutely cheapest price, robust enough to withstand constant abuse, and simple enough to be used by unskilled and uneducated soldiery. And built in the tens of thousands of units. Weight considerations, balance, and line flow were discarded in favour of ease of production, and other factors. Some trade guns could be well built, and some were destined to be local gifts and decorated accordingly, all taken into account by bean counters measuring investment against return. To the makers, there was no competition of ideas, as patterns and jigs were to be closely followed. It didn’t mean interchangeability of parts between guns, at least not at first, though it was close.
Sporting guns were built to a different philosophy. Built one at a time, to varying levels of cost according to different classes of clients. Each was a one-off, even if closely resembling others by the same hands. A cognitive dissonance-inducing approach of minimum strength and maximum fragility delivering strongish-yet-lightweight, perfectly balanced bird killing machines; two shots were the standard, even. Seriously, the military wasn’t entrusted with more than single-shots until 1889, with the Lee-Metford rifle. And sporting guns were decorated with fine chequering, engraved steel, carved flourishes, and finished with discreet silver, gold, and horn accents. Being delicate and complex, they required care and maintenance. Just like car dealerships today make substantial profits with post-sale repairs and service, gunmakers and gunsmiths in the 19th century regularly serviced their clients’ guns. There was a reason a gun case might only include at most one turnscrew (a more genteel and accurate term than screwdriver), sized for a specific screw and no other, to allow for only limited self-maintenance; the rest required a professional’s hand. By the way, one uses a turnscrew to turn pins. Ah, the illogicism of British gun terminology...
Change of subject. It might be possible to build an iPhone by oneself, with time, tools and determination. But you wouldn’t do it at the same cost as Apple, which employs the equivalent of a small city of specialized workers to build them in quantity. In the same vein, a small gunmaker might be able to build a few guns from raw materials, but couldn’t compete monetarily with the combined hundreds of Birmingham workshops making parts and building guns, and the importation of barrel tubes by the thousands. For a small village maker/smith, it made more sense to buy from Birmingham partly-built or even finished guns complete with their name on them, for the sake of their relatively small clientele, and make their money on repairs and seasonal maintenance, and selling powder, cartridges etc as a regular mainstay -- we all know that feeding a gun can end up being more costly than the purchase price! Many London-based makers also did the same. This explains why so many ‘gunmakers’ have been recorded (like the 900+ names on my list of potential pin-fire makers).
Which, in turn, begs the question, recorded by whom? We are fortunate to have remarkable directories of gunmakers and gun-related workers. Nigel Brown’s three-volume
British Gunmakers is perhaps the best, a substantial step up from his earlier
London Gunmakers. Geoffrey Boothroyd’s
Boothroyd’s Revised Directory of British Gunmakers is essential. De Witt Bailey and Douglas A. Nie’s
English Gunmakers is a bit dated but nevertheless worthy, as is the list in Richard Akehurst's
Game Guns and Rifles, Percussion to Hammerless Ejector in Britain. Douglas Tate’s
Birmingham Gunmakers offers additional detail. For slightly earlier histories, Howard L. Blackmore’s
Gunmakers of London 1350-1850 is also valuable. I’m not counting here the individual written histories of specific gunmakers, like the marvellous books by Donald Dallas, but these are also important references and sources of information. Then, there is
The Internet Gun Club Database, a wonderful online resource. Also available online is the UK Census information, covering the period from 1841 to 1911, a remarkable tool for identifying anyone who worked in gunmaking in some capacity. Most towns had commercial directories, another source of date and address information. Yet despite all these impressive resources, some gunmakers fell through the cracks and remained unnoticed by later researchers and historians, with new addresses and histories turning up from time to time. I previously mentioned George Fuller’s unrecorded address, which appeared on one of his guns. Here is an account of one unnoticed gunmaker, who might have remained unrecorded as a Manchester maker had it not been for his premises blowing up (!), newspapers to cover it, and the gun below.
This is a curious one, a 12-bore bar-in-wood (!) with machine-made damascus barrels (?), with a most obscure action design from a little-known Birmingham maker (??), and built/retailed by the least-known brother of a large multi-generational gunmaking family, all of which operated from the other end of the country (???). The first breech-loaders were all experimental in their way, some more than others. This one is unusual in having a top lever action which isn’t the W&C Scott design. It fastens the barrel with a small rotating cam bolt engaging a single bite, which is not very strong compared with later formulations. The top lever is quite long and, while effective, it does not feel as solid as other top-lever guns of the period, such as those by Westley Richards. It is the design of the Birmingham gunmaker John Crofts, who received a patent for it on 11 April 1866. Very little is known about this maker, and John Crofts went out of business in 1868, so the action was likely to have been made at some time between these dates. This is one of a number of obscure snap-actions that appeared in the 1860s and quickly disappeared, as most were variations on the same designs, or they simply didn't catch on and gain popular use. Whether the gun was entirely made by Crofts, or the action sold in the white, remains unknown.
Crofts is not the name inscribed on the rib and locks. The rib carries the address “27 New Bailey St. Salford Manchester,” and the locks the name “Hambling.” This is confusing, as the name “Hambling” does not appear in any of the gunmaker references for Manchester. The Hambling gunmakers in Blackawton, Devon, include the father, William Bartlett Hambling, and his seven sons: William Baker, James, John, Charles George, Hiram Bartlett, Henry, and Reuben. Reuben Hambling is known to have been in business on his own in 1858 in Brighton, and at some point he moved to the North of England; from genealogical information, Reuben Hambling was in Manchester in the period when this gun passed through his hands, as his daughter, Fanny, was born there in 1869. Reuben was the only member of the Hambling family known to have made guns in Manchester.
We know he made guns there, as on 14 Oct 1865, the local newspaper
The Bury Times published a small article titled
“Gunpowder Explosion in Salford.” The article went on:
“On Saturday evening, about half-past seven o'clock, two lads went into the shop of Mr. R. Hambling, gunsmith, Bexley-street, near the Salford Town Hall, to buy a pennyworth of gunpowder. An old man, named Cadden, was serving them out of a small canister, when by a mishap the gaslight from a bracket near the counter ignited the powder, which exploded. The canister contained about one and a half pound. The effect of the explosion was signally destructive. The contents of the shop window, guns and powder flasks, with the window frame and shutters, were all swept into the street. The lads and shopman were burned on the face and hands, but their injuries were not serious.” As there are both a New Bailey Street and a New Bexley Street in Salford, there is no way of knowing if the newspaper made an error or if Reuben Hambling moved from one location to another. He didn’t stay long in Manchester and later worked for the large firm of E. M. Reilly & Co. in London, finally moving to Ashford, in Kent. Reuben Hambling died in 1891.
The gun has 30-inch Birmingham-proofed barrels. The barrels also carry the mark
"Roses Patent.” The Rose Brothers (of Hales-Owen Mills & Forge) were barrel makers located in Halesowen, Worcestershire, operating between 1860 and 1892, and well-known for making barrel tubes using a patented method for machine-production of damascus barrels, a subject worthy of a separate discussion. The action flats are signed “Crofts Patent,” the top-lever return spring is now weak, and the gun weighs 7 lb 11 oz.