How does it go? The devil is in the detail.
Always enjoy your posts, Sillymike, it is good to enjoy the details. I haven't posted here in a while, so let's look at completely unnecessary details, a subject of interest to me.
Gunmaking is a for-profit business, so it always fascinates me when a maker (either the name on the gun or the craftsman doing the shaping/carving/engraving) goes that extra mile to make something beautiful or extra efficient, with that extra time and effort cutting into the profit margin. Why shape things that don't need to be shaped? Why engrave screw heads that will be hidden? Why shape lock bridles into beautiful designs when the client will likely never see them? That extra detail is what elevates fine gunmaking, whether on a provincial gun or a "London Best." Here are a few details that stand out to me.
The ubiquitous underlever, erroneously called a Jones underlever, is part of a beautifully simple mechanical design to hold barrels down against the action bar and snug against the action face. It is inert, meaning you have to do the work of swinging it out, and returning it to its place over the trigger guard bow. How it sits still provides room for embellishment, as with this Birlett & Allen gun:
Some have gone to the trouble of adding a small hole or indent on the trigger guard bow, matching a stud on the underlever, so you feel the lever falling into its rightful place, as with this Joseph Braddell & Son gun:
Or more dramatically, with this Edward Paton:
Creating interesting and extra filing work, instead of a depression, some left a raised stud on the trigger guard bow, to fit into a hollow on the lever itself, as with this William Moore & Co. gun:
But when extra was done, it was usually in the form of a raised edge on the bow, which gives a tactile response to returning the lever, as with this Robert Ringer:
Or this James Woodward:
Or this John Blanch & Son:
Not to be outdone, some put in two clips, as this W C Scott & Son:
And this Theophilus Murcott:
And since I mentioned it at the beginning, here is an attractive bridle, unnecessarily shaped into a teardrop, on this Samuel and Charles Smith gun, with the locks made by Noah Butler:
So let's enjoy the unnecessary detail!